Équipement principal
  • Canon EOS 7D / Manuel

  • Canon EF 16-35mm ƒ/2.8L USM II
  • Canon EF 24-70mm ƒ/2.8L USM
  • Sigma 50-150mm ƒ/2.8 II EX DC HSM
  • Sigma 18-200mm ƒ/3.5-6.3 DC
  • Canon EF 50mm ƒ/1.8 II

  • Canon Speedlite 580EX II

  • Trépier Velbon Sherpa 200R
  • Gorillapod for SLR-ZOOM DSLR

Achats futurs
  • Canon 5D Mark II / Manuel

  • Canon EF 70-200mm ƒ/2.8L IS USM

Équipement utilisé
  • Canon EOS 40D / Manuel

  • Canon EF-S 17-85mm ƒ/4-5.6 IS USM
  • Tamron SP AF28-75mm ƒ/2.8 XR Di LD Aspherical
  • Canon EF 50mm ƒ/2.5 Compact-Macro

  • Nikon D50 / Manuel

  • Nikon AF-S 18-55mm DX Zoom - Nikkor ƒ/3.5-5.6G
  • Nikon AF 28-80mm Zoom - Nikkor ƒ/3.3-5.6G
  • Nikon AF 70-300mm Zoom - Nikkor ƒ/4-5.6G

Autres équipements
  • Nikon Coolpix S620 / Manuel

  • Canon PowerShot SD30 / Manuel

  • Pentax Optio WPi - Waterproof / Manuel

  • Canon EOS 500 - 35mm / Manuel P1 P2

0 1 2 3 4 5 6 7 8 9 A B C D E F
The chart shows the 16 major greyscales (of the 255 available). If your monitor is correctly adjusted you should be able to see all the shades on this chart.

If you can only see differences in the mid and lower shades your brightness is too high, if you can only see a difference between the upper and mid shades the brightness is probably too low.

If you can only get the middle shades to differentiate reduce the contrast until they're all visible. If you still can't get all the boxes to appear check that you have a 24bit or 32bit display mode (also known as a true-color display mode) enabled.